| 
Item | 
Scene | 
Shots | 
Actor | 
Notes | 
| 
Ashtray | 
Performance | 
7, 9, 10, 11, 24, 40 | 
L | 
Used in the opening shot specifically, no specific meaning has been
  assigned. Coincides with the opening lyrics ‘I drink to remember, I smoke to
  forget.’ Could been seen as a brief, minor insight into the character. | 
| 
Acoustic Guitar | 
Performance | 
7, 9, 10, 11, 24, 40 | 
L | 
Conventional of form. Adds
  realism to his act due to the fact he is also playing the correct chords.
  Provides performance aspect to the video. | 
| 
Empty Cider Bottles | 
Performance | 
7, 9, 10, 11, 24, 40 | 
L | 
The same cider bottles are
  used in both scenes as a reference to the lyrics ‘drink to remember’ as it is
  a visual embodiment of the fact that when he drinks he thinks of her. | 
| 
Drinking Montage | 
13, 14, 15, 16, 17 | 
L and K | ||
| 
Empty Vodka Bottle | 
Performance | 
7, 9, 10, 11, 24, 40 | 
L | 
Same reason as above.
  Remember to fill with water for added effect. | 
| 
Drinking Montage | 
13, 14, 15, 16, 17 | 
L and K | ||
| 
Lighter | 
Performance | 
7, 9, 10, 11, 24, 40 | 
L | 
Conventional of form. | 
| 
Drinking Montage | 
13, 14, 15, 16, 17 | 
L and K | ||
| 
Opening Shots | 
3 | 
N/A | ||
| 
Cigarettes | 
Performance | 
7, 9, 10, 11, 24, 40 | 
L | 
Conventional of form.
  Reference to lyrics ‘smoke to forget’. | 
| 
Drinking Montage | 
13, 14, 15, 16, 17 | 
L and K | ||
| 
Opening Shots | 
1, 2, 4 | 
N/A | ||
| 
Red Rose | 
Graveyard Scene | 
43, 44 | 
L | 
N/A | 
| 
Older Liam’s narrative | 
41 | |||
| 
Photo of Katie and Liam | 
Graveyard | 
44 | 
L | 
His last visual memory of
  the pair, leaves it on her grave to signal the end of that specific chapter
  in his life. | 
| 
Older Liam’s narrative | 
30, 37, 38 | |||
| 
Bottle of ‘White Lightning’ | 
Bedroom Argument | 
18, 19, 20, 21, 22, 23 | 
L and K | 
Recurring motif in
  accordance with the lyrics ‘drinking White Lightning’. It disappears when she
  dies. | 
| 
Running Over | 
26, 29, 31, 33, 36 | |||
| 
Syringe | 
Bedroom Argument | 
18, 19, 20, 21, 22, 23 | 
L and K | 
Represents the ‘dilemma’
  aspect of the plot. He loves the girl but she’s bad for him. | 
| 
Older Liam’s narrative | 
38 | 
L | ||
| 
Spoon | 
Bedroom Argument | 
18, 19, 20, 21, 22, 23 | 
L and K | 
Represents the ‘dilemma’
  aspect of the plot. He loves the girl but she’s bad for him. | 
| 
Older Liam’s narrative | 
L | |||
| 
Belt | 
Bedroom Argument | 
18, 19, 20, 21, 22, 23 | 
L and K | 
Represents the ‘dilemma’
  aspect of the plot. He loves the girl but she’s bad for him. | 
| 
Older Liam’s narrative | 
L | |||
| 
Make-Up | 
Bedroom Argument | 
18, 19, 20, 21, 22, 23 | 
L and K | 
Conventions of gender,
  defines her personality as girly but messy which matches with ‘indie’ girls. | 
| 
Nail Varnish | 
Bedroom Argument | 
18, 19, 20, 21, 22, 23 | 
L and K | 
Conventions of gender,
  defines her personality as girly but messy which matches with ‘indie’ girls. | 
| 
Bin | 
Older Liam’s narrative | 
25 | 
L | 
Visual embodiment of Liam’s
  attempt to repair the damaged equilibrium. | 
| 
Hair Clippers | 
Older Liam’s narrative | 
25 | 
L | 
Visual embodiment of Liam’s
  attempt to repair the damaged equilibrium. | 
| 
Carrier Bag | 
Drinking Montage | 
13, 14, 15, 16, 17 | 
L and K | 
N/A | 
| 
Car | 
Running Over | 
31, 33, 35 | 
L, K and J | 
N/A | 
| 
Pint Glass | 
Opening shots | 
5 | 
N/A | 
N/A | 
Tuesday, 1 April 2014
Music Video Pre-Production - Props List
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